Showing posts with label Designers. Show all posts
Showing posts with label Designers. Show all posts

Friday, December 11, 2009

Jarrod Beglinger


Image: Jarrod Beglinger's 45ยบ Chair & 10 Degree Stepstool

Jarrod's work is downright awesome. He's received some great press from Dwell, and he is looking to take his 10 Degree Stepstool from prototype to production. Check out his company's site at www.officeforlostobjects.com and head on over to Kickstarter to help him turn his 10 Degree Stepstool into production reality.


Friday, November 06, 2009

Recap: Tom Kelley @CCADedu

Tom Kelley is from Akron.

Growing up Kelley witnessed first-hand the extinction of an industry due to the lack of innovation. In a span of less than 20 years, Akron (OH) went from making 100% of the tires used in the U.S. to making 0%. This affected his family, his community, and, of course, the tire manufactures.

Kelley spoke at Columbus College of Art & Design (CCAD) this past Wednesday. CCAD's Business Advisory Council made the event a reality, and CCAD's president, Denny Griffith, gave a poignant introduction that focused on creative economies.

In Kelley's presentation, he focused on 3-out-of-10 personal roles of innovators from his book, "The Ten Faces of Innovation: IDEO's strategies for beating the devil's advocate & driving creativity throughout your organization." Those roles include the anthropologist, the experimenter, and the cross-pollinator.

Each role has unique characteristics that lead companies to innovate.

The anthropologist sees with new eyes. Doing so allows for the observance of needs--not directing what should be needed. Observing the need(s) and matching with an organization's capabilities leads to empathic design.

This role is Kelley's favorite. He indicated anthropoligists must be in a mental state of vuja de (a play on deja vu). Anthropologists must use new perspectives to look at things that have been witnessed a million times over. By doing so, anthropoligists discover unmet needs.

The experimenter is all about trial and error. Experimenters are given the allowance to fail in a fostered and secure system because with many innovators (Edison, Dyson, etc.) new knowledge comes from failure. Kelley remarked that organizations need to "lower the bar for prototyping." He explained that we do not allow ourselves enough room to be creative, and he indicated that even the crudest prototypes can elucidate ideas, eventually leading to breakthrough products or services (Kelley highlighted a case study from their HBR article, "Design Thinking.")

Cross-pollinators, my personal favorite, are individuals that spread knowledge and ideas throughout the organization. Of course, this directly relates to librarians and knowledge managers. Kelley described cross-pollinators as "unstable elements" until they've spread the new information/knowledge they have. Furthermore, Kelley said that cross-pollinators are infinitly curious and part student, part teacher. He indicated IDEO actively looks for these types of individuals to help their organization remain innovative.

While although a bit like a presentation to sell his book & IDEO, Kelley's talk gave us much to think about. I'm grateful for central Ohio organizations like CCAD, their BAC, and the YPO/WPO/EO collective for bringing luminaries like Kelley to Columbus. I hope that the cross-pollinization between academic, public, and private sectors continues to thrive in Columbus, fostering our own creative economy.

Thursday, February 26, 2009

Mary Holt: Carnegie Textile Designer


Mary Holt Interview: NeoCon 2008 (her piece starts @ 1m18s)

Last night I had the opportunity to sit and chat with Mary Holt about her creative process. The event was organized by Belinda Binford (Dan Binford & Associates), and several designers in the Columbus (OH) area attended.

Mary was very accessible, and she spoke eloquently about how she and the other Carnegie designers create new textiles. Holt indicated that she will often follow designers' fabric memo requests as one way to forecast trends over the next year or two--Holt understands that designers, by practice, are very forward thinking. Additionally, Holt looks at catalogs like Room and Board to get a feel for current color trends.

In response to being asked how new designs are created, Holt responded, "We are very collaborative." Holt and the other Carnegie designers use a communal pin-up board to inspire new ideas and designs. The designers will discuss certain pieces of the board that grab their attention, and they will organically build off of one another. Carnegie's designers build up and tear down their pin-up wall. So, in a sense, their studio is able to remain fresh through this continuous process.

Thanks to Belinda Binford, the Columbus area designers, and Mary Holt, good food and good conversations were inevitable.

If you're a designer and happen to come across this post, I would love to hear about your creative process. Feel free to e-mail me at bryan [at] theloars.com or bryan [dot] loar [at] fitch.com